Saturday, October 18, 2014

Aatma (2013)


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Director : Suparn Verma


Genre : Thriller


Cast : Bipasha Basu, Nawazuddin Siddiqui


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Whats Atma (2013) Movies About...........


The horror genre is getting increasingly popular with the top ranks in Bollywood. From A-list actors to reputed production houses, the output of horror movies has, all of a sudden, shown an upward trend in recent years. Besides, horror in Hindi films is no longer limited to ghosts or skeletons. It's about projecting the emotion called fear most valiantly. With the 3D technology making a big splash across the globe, the trend of making horror films in 3D has already caught on in Bollywood. Vikram Bhatt's HAUNTED, DANGEROUS ISHHQ and RAAZ 3 and Ramgopal Varma's BHOOT RETURNS narrated spooky tales in 3D. While I am not against this technology, I am glad Suparn Verma decided against making AATMA in 3D because this one's a psychological thriller -- more of a human drama -- and the 3D glasses would've only acted as a blockade. First things first, AATMA is *not* the quintessential horror film. It's not about a haunted house or a tormented spirit thirsting for vengeance. It has layers. It has supernatural elements. It tackles an abusive relationship. It's about a strong emotional bonding between a mother and child. Primarily, it's the fight between a woman and her dead husband over their child. An interesting concept without doubt, but what comes across on screen is such an anticlimax! AATMA narrates the story of a mother who must fight to keep her daughter safe from the ghost of her father. Maya's [Bipasha Basu] peace lies shattered when she discovers that her husband [Nawazuddin Siddiqui] intends to take their daughter, Nia [Doyle], with him to his world. The world of the dead! To give the credit where it's due, AATMA doesn't resort to appalling, nauseating visuals. It's low on gore, but high on atmosphere and mood. Unfortunately, Suparn presents the age-old beliefs without giving a new spin to the fight between the dead and living. The film is spiked with been-there-seen-that kind of situations. To make matters worse, Suparn uses evocative visuals and an unsettling story to create a spooky atmosphere, but it doesn't deliver any scare. Its biggest shortcoming is, it incorporates a lot of shocks in the narrative, but no real surprises. Yet another inadequate aspect is its resolution, which, ideally, should've been the highpoint. Even the pacing is too slow for a psychological thriller. Sure, Suparn runs his mind's eye wild in a couple of sequences, but those chunks are few and far between. Cinematography captures the prevalent tension well. The sound quality, the lifeline of this genre, is appropriate. The background score, surprisingly, is not as impactful. Bipasha tasted blood with RAAZ 3 and in AATMA, she gets to portray the central character yet again: A tormented housewife and a distressed mother. However, unlike RAAZ 3, AATMA doesn't offer her the podium to demonstrate her acting skills, although the talented actress gives her best shot. Nawazuddin, who won laurels in GANGS OF WASSEYPUR and TALAASH last year, forays into mainstream Bollywood with AATMA. Surprisingly, he too doesn't get any scope to prove his credentials. Doyel, the child artist, handles her part wonderfully. Shernaz Patel is alright. Darshan Jariwala is effective. Jaideep Ahlawat gets minimal scope. Shiv Subramaniam doesn't impress.

 

Whats Atma (2013) Movies Story...........


The movie begins with Nia (Doyel Dhawan) watching a video of herself and her father. Nia is the daughter of Maya (Bipasha Basu) and Abhay (Nawazuddin Siddiqui). Maya and Abhay are divorced & Maya and Nia live with Maya's mother (Shernaz Patel) and father (Shiv Kumar Subramaniam). Nia is unaware of the fact that her father is dead. Maya deliberately hides the truth from her as Nia is a sensitive child and worships her father. Things start getting bizarre when Paras, Nia's classmate who bullies her, ends up dead. Soon after Nia's teacher Mrs. Sinha, who complains about Nia, is also found dead. Moreover, Nia starts talking to her absent father. Maya is concerned about the absurd change in Nia's behaviour and hence takes her for counseling. It is revealed in the counseling session that Abhay was a hot tempered man. He loses out on his job and friends because of his frequent and violent bouts of anger. Abhay also suspects Maya of having an affair with a colleague. However he loves his daughter more than anything else. After Abhay starts beating up Maya, she files for a divorce and gets the sole custody of Nia. Abhay cannot bear this and threatens Maya that he will take Nia away from her. Shortly after the hearing, Abhay dies in a car accident. After the session, the counselor (Mohan Kapoor) advices Maya to take Nia out for the weekend. The mother daughter duo go to Panchgani where Abhay possesses Niya and tells Maya that he will take Nia with him.

Maya comes back to Mumbai and consults a pandit (Darshan Jariwala) who tells Maya that as long as Maya and Niya share a strong bond of love, Abhay won't be able to kill either Maya or Nia. Some time later, the counselor tries to convince Nia that her father is dead. Shortly after, the counselor is found dead in his clinic. Later, Abhay kills Maya's friend and frames Maya. Maya is admitted into a mental health facility. Maya's mother calls the pandit home for a havan, which is interrupted by Abhay. He kills the pandit, possesses his body and kills Maya's mother. Maya, in a desperate bid to save her daughter kills herself as she remembers the pandit's words that no mortal man can fight an Aatma. Maya becomes a spirit and saves Nia just as Abhay is about to kill her. She also destroys Abhay's spirit, thus ensuring Nia's safety for the rest of her life. In an epilogue, Nia is shown celebrating her eighteenth birthday while Maya's spirit fondly watches here.

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